The Company

 
 
 
 
 
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Chye-Ling Huang

Co-Founder / Creative Director

Chye-Ling Huang is Chinese-Pakeha actor, director and writer. After completing acting training at Unitec in 2013, Huang co-founded Proudly Asian Theatre, producing and acting in FOB and Lantern and going on to write Call of the Sparrows, which debuted in 2016. She directed Like Sex (Basement), Asian Men Talk About Sex (Documentary) and created The Han Chronicles TVNZ web pilot as well as acting in various film and theatre projects including 'Ao-terror-oa', 'Te Waka Huia' and performing in 'Last man' at the Melbourne puppetry festival. Huang directed 'Roots' and her original show ‘Orientation’ in 2018.

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James Roque

Co-Founder

James Roque is a director, writer, actor and co-founder of Proudly Asian Theatre. He is a graduate of Unitec's Bachelor of Performing and Screen Arts programme, with theatre credits include Fractious Tash's acclaimed show Titus and the lead role of Sidu in Indian Ink Theatre Company's Kiss the Fish. James is passionate about bringing diversity to the arts and all facets of media. Outside of theatre, James is an acclaimed stand-up comedian. His television writing and performance credits include TV3's 7 Days and Jono and Ben. He is also one third of the sketch group Frickin Dangerous Bro, touring, performing and writing TV sketch show 'Only in Aotearoa'.

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Kelly Gilbride

Creative Producer

After completing the Bachelor of Performing and Screen Arts at Unitec, Kelly found her interests lay more in production management and joined as PAT’s creative producer at the start of 2016, producing Call of the Sparrows and all subsequent PAT projects in 2017, including film. Kelly also worked as the Event Coordinator at the 2016 and 2017 season of Pop-up Globe. Kelly also directed and produced a short documentary for Wireless docs called Messages to Your Younger Self. Recently Kelly has produced several music videos, theatre productions including My Name is Rachel Corrie and PAT’s Orientation.

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Marianne Infante

Producer - Fresh off the Page

Marianne is a proud Filipino who moved to Christchurch at age 11, before moving to Auckland in 2014. Marianne gained a Bachelor of Performing and Screen Arts degree graduating from Unitec in 2016 and has since multiplied her skills in the creative industry, producing, stage management, playwriting and teaching. Her theatre experiences include the Auckland Summer Shakespeare 2017's As You Like It, Emotional Creature (The Others Club), Rumination (Simple Truth Theatre) and Aroha Mai (The Odd Balls). She is currently the producer of Fresh Off The Page, a monthly play-reading at the Basement Theatre. Marianne successfully launched the first development-playreading of her original script, PINAY in 2018, New Zealand’s very first Filipino-Kiwi bilingual play.  

John Rata

Assistant producer - Fresh off the Page

John Rata is a Filipino Writer, Director and graduate of Unitec's Bachelor of Performing and Screen Arts degree. He has since worked in various management and assistant roles in film & Theatre, from NZFC funded short films to the Pop-Up Globe. In 2016 he premiered his first play, The Ball Date, at Te Pou Theatre and is currently undergoing a writing mentorship with Script to Screen under their South Shorts initiative. While being the photographer for 2018's Fresh Off The Page, John has now joined the team as an assistant producer for the programme. He is incredibly joyed to help provide a platform for Asian creatives to spread and share their stories to the world.

Nahyeon Lee

Assistant producer

Nahyeon Lee is a Korean-New Zealand cinematographer and filmmaker who recently graduated with first class honours in Screen Production at the University of Auckland.

Her most recent work includes the short film Revenge of the Follicle, Hit and My Mother Told Me, a revisionist Western told from the perspective of a Chinese mother-to-be during New Zealand’s gold rush.

She was recently chosen by PAT to undergo a writing mentorship with the New Zealand Film Commission and is currently developing and set to direct a short film for TVNZ’s New Blood initiative, The Myth of the Model Minority.