“The next logical step, if you’re not seeing the work that you believe is valuable in the world, is to just make it yourself.”
This distinguished literary fellowship allows Chye-Ling and fellow recipient Chloe Honum to share an annual stipend of $20,000 and a four-month tenure each at the Sargeson Centre in Auckland.
"There are a number of Asian playwrights making incredible work, but there’s so few of us you can never be fully satisfied with the narratives you see. I’m hungry to see the kind of work that represents myself and people like me. The next logical step, if you’re not seeing the work that you believe is valuable in the world, is to just make it yourself,” says Chye-Ling.
“The work I do with my theatre company, Proudly Asian Theatre, is essentially to dismantle stereotypes by providing platforms which accurately represent Asian people in New Zealand. A natural part of that is creating works that show the nuances of the Asian experience, with the end goal of making our industry much more inclusive while also changing people’s mindsets.”
She aims to complete the final draft of her play Black Tree Bridge – which was shown at the 2016 Auckland Arts festival RAW season, and start the first draft of a new play titled The New Temple, which will be based on queer Asian experiences.
Read the NZBC’s write up here!