“The weirdest place I’ve had sex was a portaloo. I can’t say it was aromatic.”
Asian Men Talk About Sex gets an awesome shoutout on the spinoff!
Check it out here!
We talk to BFM to talk about the launch of Asian Men Talk About Sex, PAT and Loading doc's brand new doco.
James Roque, one of the stars of Asian Men Talk About Sex
Directed by Chye-Ling and starring James, co-founders of Proudly Asian Theatre, hear them spill the beans on this cheeky little film here!
Fun fact - James Park and Tristan Hemi are both musicians that are regularly played on bfm - James of Miss June fame and Tristan as the bassist in Clap Clap Riot.
Check out the doco itself here: https://vimeo.com/229068040
Our mini dodo made with Loading docs is LIVE online for the world to see!
Check out our interview with VICE New Zealand to hear what director Chye-Ling Huang had to say about the ideas behind this confronting, funny and insightful short film.
In her first documentary, Chye-Ling Huang flips the script on that sexless, nerdy stereotype.
by Hussein Moses, VICE NZ
Western culture has forever stereotyped Asian men as somehow not masculine. Over and over again, we are fed clichés that Asian males are sexless and nerdy types who are underrepresented in sports because they're athletically inferior. As VICELAND host Eddie Huang put it: "We count good, we bow well, we are technologically proficient, we're naturally subordinate, our male anatomy is the size of a thumb drive, and we could never in a thousand millenniums be a threat to steal your girl."
In New Zealand, a new documentary Asian Men Talk About Sex is out to challenge those bullshit stereotypes. The short film, which is part of this year's Loading Docs initiative, shows that there's another side to Asian men, says director Chye-Ling Huang. They're sexy, but they've always been sidelined; in reality, Asian men deserve the spotlight just like anyone else.
The documentary is Huang's first foray into filmmaking—until now, she's been known for her writing and acting work in the local theatre scene—and the new direction came about after feeling dissatisfied with the status quo for such a long time. "Directing and writing is a way to create the kind of work that I want to see," she tells VICE. We sat down with her to find out more.
From left: Ruby, Chye-Ling, Kelly and Calvin at the premiere screening of Asian Men Talk About Sex for Loading Docs
VICE: The documentary is called Asian Men Talk About Sex , which isn't something we usually see in mainstream media. Why do you think that is?
Chye-Ling Huang: From a media perspective, I think it's such a chicken and egg situation at the moment where it's like there aren't enough people in those positions of power that are Asian men or Asian creators of content. And if you do get those chances, how likely is it that you want to rock the boat? We don't have the same number of people represented in the media because we've never been given those chances. So how are you going to get to that level? There are no bankable Asian actors for ATC (Auckland Theatre Company) shows, for example, or in other forms of media because we're not giving them those opportunities to grow and to learn and to train.
There's heaps to unpack, obviously. Did you want to explore stereotypes in the film or is it more about shining a light on the untold experiences of Asian men?
I didn't really know, to be honest. For me, I love talking about and unpacking the dynamics of race and how that has a direct impact on my life and my humanity. It's so cerebral when you start talking about all this kind of stuff, but then when it comes down to your daily experiences, that's when it becomes really interesting. When it's like, this is actually how it emotionally affects me as a human, or in my interactions in life or a job or whatever.
What's beautiful about it is that sex is such a universal experience and that the joys and the awkwardness and the discoveries and the heartbreaks of sex are so human. Hearing the conversation without knowing that everyone's an Asian dude in the room, you could mistake it for anyone talking about sex. But then there are definitely layers to that, which are very uniquely Asian, that come directly from the traumas and expectations and stereotypes that are layered upon this really beautiful human experience of sex, which sucks.
How much of a role do you think race plays when it comes to sex and dating?
I think race plays a really big factor when it comes to sex and dating. The whole reason I got really interested in this was two things: I'm all about representation of Asians in media and I'm really fucking sick of seeing people in my life, who are Asian men that I love so much, being represented as bumbling idiots on the screen. The other thing is, personally from a female perspective—obviously I'm not an Asian man, but I have dated Asian men—a couple of years ago I started deconstructing my own racial and sexual prejudice and realised that it is a thing. So it's kind of that double-edged sword where you start reflecting on yourself and you're like "wow, Asian women are so sexualised and then you start looking out and you go wow, Asian men are so desexualised".
Kelly Gilbride and Chye-Ling Huang on the set of an interview
Did you always have it in mind to keep the focus solely on men in the documentary?
I think it's two different stories when it comes to the Asian experience of sex. Asian women are the most sexualised race, whereas Asian men are the lowest on the food chain when it comes to being sexualised or being chosen as sexual or romantic partners. So yeah, it's two really different conversations. Also, there's a three-minute deadline for Loading Docs, which is very daunting. I'd love to make another one with Asian women. I think the stories would be completely different. You've got so many different layers of misogyny and sexism that are all wrapped up in that as well. It's such a huge conversation and it deserves its own thing.
Was there a question you set out to answer when you began making the documentary?
Not really. I think for me, what I really wanted to achieve was truthful representation of Asian men on screen. Also, I really hoped that what we would find would be something really casually mind-blowing in the fact that the sheer truth of these men's stories would speak volumes to the opposite end of the spectrum of representation. I think I just really wanted people to see Asian men as they really are.
Everyone has sex. Everyone has a sex drive—most people; some people are asexual. It's a human thing and we shouldn't be ashamed of it. That's the whole point of this documentary. We shouldn't be ashamed of talking about sex. As well as debunking myths around Asian males, I think that as New Zealanders as a culture, we're so prudish when it comes to talking about sex.
Nathan Joe, participant in Asian Men Talk About Sex
Were there any common themes that emerged from the conversations you filmed?
One common theme that I never asked a direct question about was porn. Every single person talked about porn. Generally the way people learned about sex was like, sex education in school and porn. The sex education was a day or two, which taught them nothing, and then porn taught them everything about attitudes, how-tos, and dynamics between men and women. Just horrendous shit that they then had to unlearn. That was definitely a really common theme for most of the guys.
What sort of things do you think need to change for us to move forward?
I think the funding bodies that fund film and television and theatre in New Zealand are definitely upping their games in recent years. There's things like the Diversity Project Fund and there's different kinds of quotas with the Film Commission that are quite focused towards Māori, Pacific, Asian, and non-white stories. I think that's a huge step in the right direction. I think there can always be more that's done. It's all about media: personal attitudes aren't going to change unless media is reflecting it. It's a chicken and egg situation again. It needs to become "hot" before people want to do it, want to make it, and want to see it. But then it's like, no one's going to think it's hot unless it's being made, so we need more development programmes to develop Asian and non-white practitioners in film and television: writers, directors, producers, everything.
The tide is turning for sure. The more America changes, the more we get excited about it and want to do it too. Which isn't a bad thing. It's annoying, but it's not a bad thing. But that's what needs to happen, I suppose. It's so basic: we already know that Asian men have been here since 1842, and we know that Asian immigrants are coming over all the time. Regardless of how long someone's been here, they should be treated the same. We know that. It's a basic human decency. But when you see an Asian man walk across the street, or you see an Asian man pull out of a park in a bad way, your gut reaction or your internalised racism is always going to be the first thing that comes out. Unless people are having these conversations and actually going deep with it and seeing positive examples to shove all that shit to the side, it's not going to change.
This interview has been edited for brevity and clarity.
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"I saw a soup being made. That’s right, I saw a moment of fire in each and every one of you. And we are going build that fire. We’re going to build that fire and we’re going to cook that soup and we are going to serve that soup."
Sam Wang
Playwright and actor Sam Wang spoke to PAT's Chye-Ling Huang about his latest play, Asian Arts Engagement Crew. Referencing TV's 'Community', this social satire plays with race, 'diversity' and the sincerity and motives behind inclusion.
CL: What was the inspiration behind writing AAEC?
SAM: For a while, I’ve been wanting to write a contemporary sit-com about a bunch of eccentrics trying to run their own online “let’s change the world” kind of organisation. It felt very now and very this generation. Then I met a wonderful group of Asian Australian actors and artists last year and that’s when I thought, maybe I could put an Asian / arts related spin on this idea and perhaps even ask some of them to be in it.
CL: Is it based on real life incidents at all?
SAM: Sort of, although I think a lot of the characters and their perspectives are based on exaggerated versions of my alter-egos rather than real life. I’m a little cautious about using real life sources as AAEC pretty much tries to take the piss out of everyone and everything so it’s much safer to stick with make believe.
CL: What are you hoping the audience will take away from watching AAEC?
SAM: On one level, all I really want is for the audience to have a really good time during the show and laugh a lot…I’m pretty cheap like that. If both Asian and non-Asian audiences laugh at the same Asian jokes in AAEC, then I think I’ve done my job. That said, I do hope that some also go away thinking that it was clever and has a bit of heart to it. I guess my entire philosophy is that sometimes we can afford to take ourselves a little less seriously and have a laugh at ourselves. Hopefully AAEC makes them feel a little bit of that too.
The cast and director of Asian Arts Engagement Crew playreading.
CL: There seems to be a growing awareness of 'diversity' in the arts recently. What are your views on 'engaging Asians in the arts'?
SAM: It’s funny because a lot of my views about engaging Asians in the arts come from engaging with my parents. They’re 60, from mainland China, have math and science backgrounds and moved to Australia in the early nineties. Consequentially, I think a lot of my views on the subject are skewed towards the cynical side of the spectrum. That said, my dad is now probably one of my biggest fans, partly because I’m an only child so he doesn’t have any other horses to back – thanks Chairman Mao. I guess what I’m trying to say is that at least for my parent’s generation, sometimes you can’t engage them in the arts. It’ll simply be forced upon them when one of their kids decides to run off with the circus. And looking around me, there are definitely more and more of us so times are definitely changing.
CL: What would you like to see change in the industry right now?
SAM: I’m really hoping there’ll be a time when the emphasis is less on “Asian works” and more on “works with Asians in it” or any other currently under-represented demographic of people. Some of my favourite shows like Community, Silicon Valley, The Thick of It etc. aren’t about “white people” even though they predominately feature white people. They’re about people trying to survive the world’s worst community college ever or beating Google at their own game or managing a government’s PR nightmare in a world of spin. Pretty cool, right? It would be pretty amazing when there are more works about Asians doing those kind of things (or insert any other under-represented demographic).
CL: Do you always write comedy?
SAM: It’s definitely my default starting position and I currently don’t feel a huge urge to venture too far away from it. I like rom-com, that has moments of seriousness in it right?
CL: Have you always made your own works?
SAM: Trying to, mainly so I can get away with just being myself and not having to do any “acting”.
CL: What else are you working on?
SAM: A Chinese spy comedy and an extended version of the AAEC. The concept for AAEC was that it would be a TV pilot adapted for the stage. I guess now I have to write the entire first season (deep breathe)…my next episode ideas are Asian Keyboard Warriors & Asians Lost in Space.
CL: What's your favourite play?
SAM: Pretty much anything by Robert Lepage and Martin McDonagh.
Asian Arts Engagement Crew is part of Fresh off the Page, PAT's monthly playreadings.